Friday, May 7, 2021

Discover the Potential of a Multipurpose Shirt: Smart Fashion Tricks for Modest Women on a Budget


Do you have a solid wardrobe staple that you're tired of wearing? Let these ideas bring fresh inspiration and help you love that garment again.

one shirt or tunic

worn at least three different ways





This Boutique Narelle tunic is made from a quality quilting cotton which has proved durable and held its colour well. I bought the fabric at an Everything Half Price closing down sale, paying an extravagant NZ$13/m when I would normally look for yardage in the $6-$8 range. It has proved worthwhile.

The cotton is soft and breathable, comfortable to the skin, good protection from the harsh southern sun. The dark colour with subtle floral print is feminine without seeming impractical for the outdoor adventures I've worn it on, yet easily adapts to more elegant occasions.

This was one of my early explorations of tunic styles. Princess seams have remained a favourite for the classic streamlined look they give. Other features recommended for a classy look are topstitched seams and lots of buttons. As trouser leg fashion has narrowed, I've lengthened my tunic hems to maintain a balanced silhouette. This length works well with wide-leg trousers.

Recent photos show the tunic with pleats over the shoulders. When an overzealous washing machine tore a hole in the shoulder, I decided that pleats would hide the rip and give me a better fit at the shoulders, which were a bit wider than I needed.


You can increase the styling contrast with:

  • different hats
  • different shoes
  • hairstyle changes
  • carrying a purse, wallet, or bag
  • rolling up the sleeves
  • buttoning up the collar

I hope you've found something beautiful and inspiring here today.

Look out for more Boutique Narelle posts detailing liberating modest fashion techniques.

Fiat lux!
Narelle 

Friday, April 30, 2021

ANNOUNCEMENT: My Commitment to You

I spent Anzac Weekend at bootcamp. I am not the person I was a week ago.

This week marks the beginning of a new journey for me. I'm choosing to walk into my destiny to live in my true value and make my dream come true.

My commitment to you is that from today, I'm going to do something to work on my dream six days a week. You have my permission to check in with me and say, "How are you doing with your commitment? Are you still working to make your dream come true?"

I don't know yet what the end result will look like, but I do know that today I have to change some things for that to happen. One of those is narrow my focus. Something has got to go.

For thirteen years here on Boutique Narelle I've been giving away my knowledge and expertise for free. I knew I should monetize it, but I didn't know how. Every time I tried, I got bogged down in the systems and technology skill it demanded.

Today I'm saying 🤚THAT'S IT, no more labouring to create value for other people without being rewarded for it.

Feedburner has alerted me that in July their free notification service will cease, which means those of you who receive an email notifying you of a new Boutique Narelle post will no longer receive that. I don't have the technology skills to create an alternative.

I also will not be returning to curating the modesty mall. Thank you to those who have messaged me with requests to explore the modest clothing services you offer. I apologise that I have not been able to accept your invitations due my lack of internet access.

After four years of not having broadband internet, now that I suddenly do (YIPPEE!!! #happydance), I've realized that my focus has switched -- from fulfilling the service that I have enjoyed bestowing through Boutique Narelle, to my song-writing passion which will bring me better reward for the time and energy I put into it. What this will look like on the BN blog, I don't know right now. The monthly Boutique Narelle post on the 1st Friday of the month will be discontinued in its current form following next week's post. If you are subscribed using Feedburner you will not receive notifications from July 2021.

I suggest that you follow me on the social media platform I currently use (www.facebook.com/NarelleWorboys), where you can see and get involved with my music journey, and of course details of my outfits and fashionista fun exploring beautiful modest fashion, because that's still me to the core.

I'm reminded of the quote, 

"BE THE CHANGE THAT YOU WANT TO SEE IN THE WORLD." 

I'm making space for me to visualise what that will look like for me. Maybe my doing that will inspire you to keep pursuing your dream, to be the change that you want to see in the world. I would love to hear that you're doing that.

Fiat lux.
Narelle 

Friday, April 2, 2021

Mint Check Men's Shirt Makeover: Smart Fashion Tricks for Modest Women on a Budget

How to Turn a Men's Shirt into a Woman's Dress



This summer, I felt very frustrated with the lack of quality fabrics in the women's section of the secondhand clothing shops. Almost everything was stretch knit or polyester. If I'm going to spend time and effort upcycling a garment, it's got to be made of a natural fibre that will be durable as well as comfortable.


Sighing in disappointment after another fruitless assessment of the women's racks, I passed by the men's section and did a double take. I blinked at a row of crisp cotton, long sleeved shirts in summery colours. The cotton was soft, in pristine condition. All I needed was for one to be larger than me...




Following in the pattern of the two-shirt dress (which I wrote about here), I prepared to remove the sleeves for functional reassignment. Taking these "Before" photos before ripping into the stitching with a seam ripper, I learned why the former owner had rejected his brand new shirt. Some of the buttons didn't line up with the button holes, creating puckers in the placket. So easy to fix once you know what the problem is!



Well, his loss was my gain. One shirt renovation coming right up.

1. Dismantle the shirt carefully.


Remove sleeves. Remove cuffs and buttons from sleeve placket (but leave buttons on cuffs). Press open sleeve seams. Topstitch cuff plackets closed.

2. Upgrade the centre front button placket.


Remove buttons on shirt placket. Measure, mark, and sew new buttonhole between each existing buttonholes. (This prevents any gaping at the bust, and makes the buttons more of a feature.) Sew buttons back in place, using those from the sleeves for the new buttonholes.

If you're going to use the cuffs as pockets, you may want to leave the cuff buttons in place. If you're short of buttons for centre front, check the tag in the side seam, which usually has extra buttons stored there. You can also use the buttons from the collar.



3. Adjust the shirt to fit your body.


Classy dressing begins with perfect fit. Take your time on this. I do not have the muscled shoulders that this shirt was designed to accommodate, so a number of darts were necessary to remove gaping around the armholes. The two shoulder blade darts extended so far across the back, I joined them together for continuity. The front darts begin at the armhole and extend down to the chest pockets. If I didn't point them out, most people wouldn't even notice they are there.

The last step of fitting the shirt is choosing where the waistline is going to be and trimming the hem thereto. Remember to allow wriggle room for getting the dress over your hips or over your head. The more fitted you make the dress, the more difficult it will be to climb into it. If you're not creating a dropped waist, you don't have the benefit of the button placket descending below your hips.

One more thing to consider before you cut the hem: straight across is quick and simple, but a curve will be more pleasing to the eye. I didn’t think about this until after I'd attached the skirt and was feeling frustrated by the boxy look. To mitigate this, I added a bias binding trim topstitched in a swoop up over the hips and down front and back. I'm much happier with the feminine look this gives.


4. Plan the skirt.


What shape skirt?
What style waist fitting?
Side pockets or patch pockets or both?

I chose a fitted waist, an A-line flare, and a contrasting waistband. I placed the sleeves cuff-upward this time (on the two-shirt dress, the cuffs are at the hem), allowing the armhole scoop to be a feature of the hem.

It was a challenge gleaning enough width from the small quantity of coordinating fabric I had available. I would rather have had more vertical bands of narrower width, and perhaps a third coordinating fabric, but sometimes you just do the best you can with what you have. (Ok, let's make that you *always* do the best you can!)

When you're satisfied with the skirt layout, cut and sew the pieces. If you've planned side pockets, apply each of the four pockets pieces to its corresponding side seam as your first step. Next, join each of the two side seams, stitching around the pocket shape as you go. Press the pockets forward. Now join the rest of the skirt pieces together.


5. Prepare skirt lining.


I had intended to use an emerald polycotton remnant for the lining, as it brightened the floral layer above it, but I hesitated over the coarseness of the polyester fibre in it and the knowledge that it would pill quickly. Contemplating my options, I realized that I had a supersoft lawn that matched the chambray colour of the collar and shoulder facings. Nobody would see the skirt lining except me, but I knew having the upper and lower linings match each other would please my eye. I also knew which fabric would be more pleasing to my skin.

Cut the skirt lining to fit the skirt. Sew the pieces together. Place the lining inside the skirt, and with wrong sides together, sew them together close to the seam allowance at the waist.

6. If you have a waistband.


You can join the waistband to the skirt and then join the skirt to the shirt.

Because my waistband added two parallel seams across my belly, I decided to create a smoother internal finish by lining the waistband as well as the skirt. I cut a band of lawn to match the floral cotton and pressed up the lower seam allowance. Laying the upper seam allowance against the shirt/skirt seam, with right side of band to wrong side of shirt, I sewed the inner band to the seam allowance. After I attached the skirt to the shirt, I pressed the inner band down over the raw edges of the two waistband seams, and handstitched it close to the lower band seam.

7. Join top and bottom.


Place skirt and shirt right sides together, and sew around the waist with a normal seam allowance (15mm or ⅝ inch).

8. Hem the skirt. Hem the lining.


9. Make bias binding to edge the armholes.


You might choose to do this step before you join the skirt to the top so there's less fabric to manoeuvre around the sewing machine. I did this step last, because I needed to use the largest floral scraps for the skirt. I used what was left over to cut the strips for the armholes.



To make bias binding:


Cut 40mm wide strips of fabric across the bias (at 45 degrees to the selvedge).

If your strips aren't long enough, cut the ends at 45 degrees and stitch together with a very narrow seam. Press seams open.

Press the strip in half, then press one side in towards the centre fold. Stitch the other side to  the garment at 10mm seam allowance (right side of tape to wrong side of garment). Press the seam open. Turn garment right side out. Pin or tack the tape to the right side of the armhole, and topstitch close to the edge.


For an adaptable fit:

After trying a variety of ways to bind armholes, I've decided adaptable fit is my priority, so I no longer sew a circle that fits the armhole and sew it to the armhole.

For an adaptable fit, open up an inch or two of the side seam and sew a straight piece of tape around the armhole from one raw edge to the other. Pin the folded edge to the right side, and topstitch close to the folded edge.

Now pin the side seams for best fit. Sew up the rest of the side seam where your pins are, edge stitch the seam, trim any excess tape to the seam allowance, and press the seam allowance to the side. If it's still visible when you're wearing the garment, add a few stitches to keep the seam allowance out of sight.

This method means if you put on weight, you can easily let out the seam and give yourself more room.


10. Add patch pockets.

Shirt cuffs make dinky patch pockets. Make sure all seam allowances are tucked under. Pin or tack the cuffs flat so they sit even to each other. Place them on the skirt and pin. (I use a cardboard sleeve poked between the skirt and lining to prevent pinning to the lining as well.) Topstitch pockets to skirt.


Voila! That's another satisfying Frugalista Fashion project completed. I find the blend of colours and patterns very pleasing. I adore the feel of the cotton shirt and the soft skirt lining. The fabric quality is excellent-- no ironing required. The design elements fall a little short of what I was aiming for, but I love wearing the dress, so I am content.

I hope you've found something beautiful and inspiring here today. Look out for more Boutique Narelle posts detailing liberating modest fashion techniques.

Fiat lux!
Narelle  



Sunday, March 7, 2021

Shabby Chambray Tunic Upgrade: Smart Fashion Tricks for Modest Women on a Budget

 Upcycle an old tunic in 4 simple steps


I love being the recipient of donated clothing. It's a treasure trove of possibilities. I don't always get to wear the garments myself or use the fabric in my homemaking, but even if I end up giving them away to someone else, the exploration of potential is great fun. Very often, with a little creativity added, I do end up with something I love to wear.

The original state of this chambray tunic didn't look impressive - stained, a bit faded, and with deep armholes edged with a bulky wad of folded self-fabric trim. I marvelled that a designer would choose to position a wad of fabric under a woman's armpit... Anyway, I saw Possibilities.

The washed-out blue is not a good colour on my Spring complexion that's naturally blue-toned already, but given the permanent stains, I figured I'd only be wearing it in the garden. And as soon as I touched that soft, light cotton, I knew I very much wanted to wear it in the garden and I knew I'd feel very comfortable when I did.

ESSENTIAL UPGRADES

The essential upgrades required for this to be achieved were as follows.

1. Remove those ugly arm bands and fit the side seams properly under my armpits.
2. Make bias binding to edge the armholes.
3. Use the rejected armhole fabric to create modesty-enhancing breast pockets.
4. Add a dome/press stud between gaping buttons.


FIT TO THE PITS

Removing the armhole bands and shifting the side seams closer to the body removed most of the problem of immodest gaping. Adding bias binding to the armhole edges added an exta centimeter coverage and helped pull in the soft edges to maintain a firm, close fit.



HOW TO MAKE BIAS TAPE FOR THIS PROJECT*

Cut 40mm wide strips of fabric across the bias (at 45 degrees to the selvedge). *Photo examples from another project

If your strips aren't long enough, cut the ends at 45 degrees and stitch together with a very narrow seam. Press seams open.

Press the strip in half, then press one side in towards the centre fold. Stitch the other side to the garment at 10mm seam allowance (right side of tape to wrong side of garment). Press the seam open. Turn garment right side out. Pin or tack the tape to the right side of the armhole, and topstitch close to the edge.

The cotton gingham I used for the bias tape is light and soft, so I didn't trim off any of the 10mm triple-fold tape after sewing it to the armhole, allowing the bulk of the seam allowance to create a firm edge.


CREATING FEATURE POCKETS

When I opened up the armhole fabric strips I'd carefully removed from the tunic, I found a fascinating combination of pleats and fade lines which I immediately knew I wanted to make a feature of the new version.

Throughout the process, I was careful not to press the pieces and lose those pleats. I sewed together the long edges of the two long strips, and from the length of this, cut two extra-wide pocket pieces, with the new seam running down the centre of each.

I cut a pocket lining (actual pocket width, plus seam allowance) from a matching cotton gingham, and interfaced it.

Photo from right to left: 1) old arm band pieces stitched together; 2) pleated chambray pinned to gingham lining; 3) chambray and lining stitched together and turned right side out. 4) Bias binding waiting above, one edge folded and pinned ready to be pressed (right), then (left) pins removed ready to sew the raw edge.


Right sides together, I pinned the chambray to the lining, pinching and folding the pleats and fade lines so they would show to advantage. (I didn’t tack them, which I regret, because one pleat switched direction under pressure from the sewing machine foot. Did you notice?)

I sewed around the edges of this pocket square, leaving a small gap in one side so I could turn it inside out.

I carefully pressed the seam edges of the pockets, still avoiding the centre pleats.

From left to right: 1) raw edge of bias binding ready to be sewed to the top edge of the pocket (right side to wrong side); 2) bias binding folded over to the right side and topstitched close to the edge.


I prepared bias binding from the gingham, and bound the top edge of the pockets. Now the pockets were ready to be topstitched to the tunic.


Voila! An old, stained tunic has a new lease of life, and I love wearing it. I had all the materials I needed in my stash. The only expense was in time and creativity.

Here endeth the tale of another satisfying and enjoyable Frugalista Fashion project. I hope you've found something beautiful and inspiring here today.

Look out for more Boutique Narelle posts detailing liberating modest fashion techniques.

Fiat lux!
Narelle